Fender Musical Instrument Amplifier P N 048502 User Manual

T H E S O U N D T H A T C R E A T E S L E G E N D S  
KEYBOARD  
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OwnersManual  
P/N 048502  
 
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CHANNEL 1  
CHANNEL  
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INPUT  
VOLUME  
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EFFECTS  
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CHANNEL 3  
SEND  
INPUT  
VOLUME  
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MID  
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VOLUME  
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INPUT  
MIC  
EFFECTS  
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REVERB  
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KXR 2 0 0 FRO N T PAN EL FUN CTIO N S  
A. CHANNEL 1 INPUT (1/ 4 INCH) - Plug-in connector for  
instruments. This balanced input can handle as much  
as 8V R.M.S.  
external effects device. The effects send control in con-  
junction with the effects send jack could be used to  
drive another KXR 200 as a slave amp. This is done  
by connecting the effects send jack, with a standard  
guitar cord, to the effects return jack of another KXR  
200. Note that each channel could be set to send a  
different amount of signal to the effects bus.  
B. CHANNEL 1 VOLUME CONTROL - This control adjusts  
the preamplifier gain of channel 1. It works in con-  
junction with the Master Volume control ( item I) to set  
the overall loudness of the amplifier for channel 1  
only. Being a true “gain” control, it allows for the use  
of a variety of microphones, keyboards or other instru-  
ments with differing output signal levels. Low-level  
instruments generally require a higher Channel  
Volume setting while “hotter” keyboards will require a  
lower setting.  
E. CHANNEL 1 REVERB SEND CONTROL - This control  
works in conjunction with the reverb return control  
(item K) to allow the amount of reverb to be mixed  
with the dry signal. The amount of reverb-sent signal  
is independent for each channel.  
F,G. CHANNEL 2 AND 3 - These two channels are provid-  
ed for two additional instruments. All the controls and  
jacks operate in the same manner as those in channel  
1. When not in use, it is best to turn the channel vol-  
ume, the effects send and the reverb send controls all  
the way down to avoid any amplification of unwanted  
noise. Likewise, when not in use, the equalizer sec-  
tions should be kept flat ( i.e. all knobs should be set at  
12 Oclock).  
C. CHANNEL 1 EQUALIZER - This equalizer allows  
adjustments of the tonal characteristics of channel 1  
before amplification. Each control provides a 12dB  
boost or cut to bands of frequencies centered about  
130, 540, and 4200 Hz. Note that all equalizer sec-  
tions of the KXR 200 are designed so that if all center  
frequencies are set at +12dB, a flat overall response  
would be obtained. This is very useful if the signal  
source is weak.  
H. CHANNEL 4 - This channel operates in the same man-  
ner as the other three channels, but with the addition  
of a few extra features: The XLR jack and an extra  
band in the equalizer section. With the vocalist in  
mind, the balanced, low impedance XLR jack provides  
a suitable connection for a microphone. Furthermore,  
the four-band equalizer was designed around the  
D. CHANNEL 1 EFFECTS SEND CONTROL - This control  
works in conjunction with the effects send jack (item R),  
effects return jack (item S), and the effect return con-  
trol (item J) to , respectively, allow a desired amount of  
preamp signal to be massaged, and to control the  
amount of return signal that has gone through an  
 
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CHANNEL 2  
MASTER  
RETURN  
ON  
SEND  
EFFECTS  
LOW  
0
MID  
0
HIGH  
0
VOLUME  
5
REVERB  
5
EFFECTS  
5
REVERB  
5
5
ON  
OFF  
-12 +12  
-12 +12  
-12 +12  
0
10  
0
10  
0
10  
0
10  
0
10  
DELTACOMPTM  
CHANNEL 4  
LOW MID  
0
POWER  
SEND  
VOLUME  
5
LOW  
0
HIGH MID  
0
HIGH  
EFFECTS  
5
REVERB  
5
KEYBOARD  
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vocal frequencies. With each control providing 12dB  
of boost or cut, and centered about 125, 320, 1000  
and 3200 Hz. If needed, this channel could also be  
used for another instrument.  
L. PEAK LED INDICATOR - This LED comes on when  
excessive signal levels are being sent to the power  
amplifier. It illuminates on signal peaks that cause  
clipping (distortion) with DELTACOMPTM not activated,  
or for signal peaks that cause DELTACOMPTM to reduce  
level (DELTACOMPTM active). If the limiter is on for a  
large percentage of the time, the dynamic range of the  
system is reduced and the overall sound suffers. For  
this reason, level controls should be adjusted so that  
the yellow LED only flashes on occasional signal  
peaks.  
I. MASTER VOLUME CONTROL - This control adjusts the  
level of the signal coming out of the preamplifier sec-  
tion. This control is used in conjunction with the  
Channel Volume controls to set the overall sound level  
of the amplifier. In order to maximize headroom and  
minimize noise, instruments with low-level output will  
require a high Channel Volume setting and a low  
Master Volume setting, while other instruments may  
require a lower Channel Volume and higher Master  
Volume setting. It is recommended that the Master  
Volume control be set as high as possible for maxi-  
mum DELTACOMPTM compressor range.  
M. DELTACOMPTM SWITCH - This switch is used to activate  
or de-activate the DELTACOMPTM circuitry. If peak-  
clipping of signal is not desired, then the  
DELTACOMPTM circuitry should be engaged by push-  
ing this button in.  
J. EFFECTS RETURN CONTROL - This control adjusts the  
level of the signal coming into the power amplifier sec-  
tion from external effect devices. This is the master  
control for all the Channel Effects Send controls. If not  
in use, it is recommended that this control be set at 0  
to avoid amplification of any unwanted signal.  
N. POWER LED INDICATOR - When this LED is illuminat-  
ed, the KXR 200 is receiving power.  
O. POWER SWITCH - This switch turns the KXR 200 on or  
off. When the switch is off, the amplifier is completely  
shut down.  
K. REVERB RETURN CONTROL - This control adjusts the  
level of the reverb signal coming into the power ampli-  
fier from the reverb bus. The input to the reverb cir-  
cuitry is the sum of the individual channel reverbs.  
When not in use, it is recommended that this control  
be set at 0 to avoid amplification of any unwanted sig-  
nal.  
 
KXR 2 0 0 REAR PAN EL  
LINE OUTPUT JACKS - Signal from each of the chan-  
P,Q.  
nels are combined with reverb and effects to form the  
input to the power amplifier stage. The Line Outs are  
wired from this point. The 1/ 4 Jack (Item P) and the  
XLR jack (Item Q) provide easy connection paths from  
the KXR 200 to any external devices, such as a slave  
amp or a mixer. It is also useful for recording live per-  
formances. Note that inserting a plug into one of the  
Line Outs jacks does not interrupt the normal internal  
signal flow of the KXR 200.  
POWER CORD - This amplifier is equipped with a  
grounding type supply cord to reduce the possibility of  
shock hazard. Be sure to connect it to a grounded AC  
receptacle. The line cord should be connected to a  
suitable power source, in accordance with the voltage  
and frequency as shown by the power rating on the  
rear panel. DO NOT ALTER THE AC (MAINS) PLUG.  
NOTE: DO NOT BLOCK THE AIR FLOW TO THE  
REAR PANEL; FOR EXAMPLE, BY BACKING THE  
AMPLIFIER UP AGAINST A WALL. The rear panel  
contains a heatsink that needs air flow to cool off the  
amplifier. Blocking the air flow may result in equip-  
ment failure due to excessive heat building up inside  
the chassis.  
EFFECTS SEND JACK - This jack is the output of the  
effects bus, where all the channels Effects Send are  
combined. The signal coming out of this jack could be  
used to drive an effects device, a slave amp, or as an  
input to a mixer . Note that the signal coming out of  
this jack is reverb-free.  
R.  
S.  
T.  
EFFECTS RETURN JACK - This jack inputs signal to the  
master section of the KXR 200 through the Effects  
Return control (Item J). This jack can be used with the  
Effects Send Jack (item R) as a patch point for mono  
effect devices. This jack can also be used as the input  
jack when the KXR 200 is used as a slave amp.  
WARNING : THIS EQUIPMENT MUST BE EARTH  
GROUNDED.  
COVERING CARE - UNPLUG THE POWER CORD  
BEFORE CLEANING - The exclusive vinyl covering on  
your cabinet has been especially designed for years of  
lasting beauty. A very light, soapy solution on a  
sponge may be used to remove dirt and residue that  
may accumulate in the texture. Be careful as not to let  
any liquid get inside the chassis or contact the operat-  
ing surfaces.  
CHANNEL INSERT JACKS - These jacks are wired  
post-EQ and post channel volume control. By inserting  
an external signal source into one of these jacks,  
through a stereo jack wired to the tip and sleeve (with  
the ring left floating), the appropriate channel’s EQ  
and volume control are bypassed. By shorting the tip  
of the inserting jack to its ring, the channel’s signal  
and the externally input signal could be mixed togeth-  
er. The channel inserts can also serve as effects loop  
points by using a stereo jack wired tip=effects send,  
and ring=effects return. Note that the layout of the  
insert jacks on the back panel is the mirror image of  
the channels layout on the front panel.  
 
KXR 2 0 0 BLO CK DIAGRAM  
Channel 1  
Balanced  
Equalizer  
Channel 1  
Volume  
High  
Z
Input  
Low Mid Hi  
Reverb  
Send  
Insert  
(Rear Panel)  
Effects  
Send  
Effects  
Return  
Effects  
Send  
Channel 2  
Balanced  
Equalizer  
Channel 2  
Volume  
High  
Z
Effects  
Loop  
Input  
(Rear Panel)  
Low Mid Hi  
Reverb  
Send  
Insert  
(Rear Panel)  
Effects  
Send  
Channel 3  
Balanced  
Equalizer  
Channel 3  
Volume  
High  
Z
Input  
Reverb Circuit  
Reverb  
Return  
DeltacompTM  
Low Mid Hi  
Reverb  
Send  
Insert  
(Rear Panel)  
Master  
Volume  
Speakers  
Effects  
Send  
Power  
Amp  
Balanced  
Low  
Equalizer  
Channel 4  
Volume  
Z
Line  
Outputs  
Low Low Hi Hi  
Mid Mid  
Channel 4  
Inputs  
Reverb  
Send  
Insert  
(Rear Panel)  
Effects  
Send  
Balanced  
High  
Z
TRO UBLESHO O TER‘S CHECKLIST  
If the amplifier is set up but does not function, check the following items:  
Is the amplifier power cord plugged into an electrical outlet ?  
Is there power at the outlet ?  
Are all the control knobs properly set ?  
Are the controls knobs on the instrument properly set ?  
Is the instrument properly plugged into the KXR 200 ?  
(Eliminate any effect pedals and try another guitar cord.)  
If after checking all of the above, and the system is still not performing correctly,  
®
consult your Authorized FENDER Service Dealer.  
 
KXR 2 0 0 SPECIFICATIO N S  
PART NUMBER :  
100V Version : 22-8572  
120V Version : 22-8502  
230V Version : 22-8562  
240V Version : 22-8532  
THIS EQUIPMENT CONFORMS TO  
THE FOLLOWING DIRECTIVES :  
EMC 89/ 336/ EEC AND LV 73/ 23/ EEC  
TYPE SPECIFICATION :  
PR 286  
POWER REQUIREMENTS :  
100V Version : 100VAC, 50/ 60Hz, 540W  
120V Version : 120VAC, 60Hz, 540W  
230V Version : 230VAC, 50Hz, 540W  
240V Version : 240VAC, 50Hz, 540W  
POWER AMPLIFIER SECTION :  
POWER OUTPUT :  
200W R.M.S.  
RATED LOAD IMPEDANCE :  
DISTORTION AT 200 WATTS :  
4  
Less than 1% @ 1kHz, below compression  
Less than 1% @ 1kHz, maximum compression  
SENSITIVITY :  
1.03 Volts R.M.S.  
22 kΩ  
INPUT IMPEDANCE :  
DELTACOMPTM RANGE :  
PREAMP SECTION :  
INPUT IMPEDANCE :  
20dB.  
XLR - 1.82 kΩ  
Phone - 18.2 kΩ  
Sensitivity for 200 watts :  
channel and master  
volume at maximum, all  
tone control at 0”  
XLR - 2.9 mV R.M.S.  
Phone - 29 mV R.M.S.  
EQUALIZER :  
For 3-band-EQ sections :  
+/ - 12dB at 130, 540 and 4200 Hz.  
For 4-band-EQ section :  
+/ - 12 dB at 125, 320, 1000 and 3200 Hz.  
Sensitivity for channel  
inserts, Master volume  
at maximum setting  
500 mV R.M.S. (-6dBV).  
Sensitivity for  
Master volume and FX  
return control at max.  
130 mV R.M.S. (-18dBV).  
PHYSICAL SPECIFICATIONS :  
HEIGHT :  
29 - 3/ 4 inches w/ o casters  
32 - 1/ 8 inches with casters  
21 - 11/ 16 inches  
12 inches  
(75.6 cm)  
(81.6 cm)  
(55.1 cm)  
(30.5 cm)  
(40kg)  
WIDTH :  
DEPTH :  
WEIGHT :  
88 lbs.  
SPEAKER COMPLEMENT :  
15” Fender® Special Design (P/ N 048769)  
Dual piezo horn (P/ N 028813)  
WARNING : NO USER SERVICEABLE PARTS INSIDE,  
REFER SERVICING TO QUALIFIED PERSONNEL ONLY.  
TO PREVENT FIRE OR SHOCK HAZARD,  
DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE.  
A PRODUCT OF:  
FENDER MUSICAL INSTRUMENTS CORP.,  
CORONA, CA 9 1 7 2 0  
 

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